After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.