More information and tickets here.

More information and tickets here.

The Bard is modern and alive than ever in Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by the actors of the Berliner Ensemble.  The sonnets were pared down and selected by dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater. The production was staged in 2009 for the fourth centennial of the publishing of the Sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

More information and tickets here.

The Bard is modern and alive than ever in Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by the actors of the Berliner Ensemble.  The sonnets were pared down and selected by dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater. The production was staged in 2009 for the fourth centennial of the publishing of the Sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

More information and tickets here.

More information and tickets can be found here.

More information and tickets can be found here.

More information and tickets here.

More information and tickets here.

More information and tickets here.

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

Performed in German with English subtitles

The Bard is modern and alive than ever in visionary Robert Wilson's Shakespeare's Sonnets, a contemporary take on 25 specially chosen sonnets from Shakespeare's cannon.  Set to a sweeping score composed by the renowned Rufus Wainwright, a genre-bending mix of medieval German Minnesang, classical, pop, and cabaret rock is performed by Bertolt Brecht's historic Berliner Ensemble.  The sonnets were pared down and selected by Berliner dramaturge Jutta Ferbers who deftly adapted these captivating poems that were originally unintended for the theater.  The production was first staged in Berlin in 2009 for the fourth centennial of the publishing of the sonnets.

For this production, Wilson embraces the prevalence of subversive gender conventions embedded in Shakespeare's 154 sonnets which move fluidly between male and female objects of desire.  Several quintessential characters make an appearance; from boy to fool, from Cupid to the mysterious Dark Lady, from the Queen of England to Shakespeare himself.  Wilson's signature sculpting of time, light, and gesture combined with Wainwright's romantic, sensitive, and at times disturbingly dark score transports audiences to a dreamlike place suspended in time.

– BAM

Featuring the Berliner Ensemble

Direction, set design, and lighting concept by Robert Wilson

Music by Rufus Wainwright

Sonnet selection by Jutta Ferbers

Costumes by Jacques Reynaud

Co-directed by Ann-Christin Rommen

Conducted by Hans-Jörn Brandenburg and Stefan Rager

Lighting design by Andreas Fuchs

By Robert Wilson and Rufus Wainwright

Composition of texts by Jutta Ferbers

Staged in Berlin in 2009, the fourth centennial of the publishing of the Sonnets, Wilson selected twenty-five amongst the one hundred and fifty-four written by Shakespeare, accepting the challenge to stage one of the English playwright’s rare works which was not meant for the theatre. The production features original music by the Canadian songwriter Rufus Wainwright. 

More information and tickets at http://www.berliner-ensemble.de/repertoire/titel/38

By Robert Wilson and Rufus Wainwright

Composition of texts by Jutta Ferbers

Staged in Berlin in 2009, the fourth centennial of the publishing of the Sonnets, Wilson selected twenty-five amongst the one hundred and fifty-four written by Shakespeare, accepting the challenge to stage one of the English playwright’s rare works which was not meant for the theatre. The production features original music by the Canadian songwriter Rufus Wainwright. 

More information and tickets at http://www.berliner-ensemble.de/repertoire/titel/38

By Robert Wilson and Rufus Wainwright

Composition of texts by Jutta Ferbers

Staged in Berlin in 2009, the fourth centennial of the publishing of the Sonnets, Wilson selected twenty-five amongst the one hundred and fifty-four written by Shakespeare, accepting the challenge to stage one of the English playwright’s rare works which was not meant for the theatre. The production features original music by the Canadian songwriter Rufus Wainwright. 

More information and tickets at http://www.berliner-ensemble.de/repertoire/titel/38

By Robert Wilson and Rufus Wainwright

Composition of texts by Jutta Ferbers

Staged in Berlin in 2009, the fourth centennial of the publishing of the Sonnets, Wilson selected twenty-five amongst the one hundred and fifty-four written by Shakespeare, accepting the challenge to stage one of the English playwright’s rare works which was not meant for the theatre. The production features original music by the Canadian songwriter Rufus Wainwright. 

More information and tickets at here.

By Robert Wilson and Rufus Wainwright

Composition of texts by Jutta Ferbers

Staged in Berlin in 2009, the fourth centennial of the publishing of the Sonnets, Wilson selected twenty-five amongst the one hundred and fifty-four written by Shakespeare, accepting the challenge to stage one of the English playwright’s rare works which was not meant for the theatre. The production features original music by the Canadian songwriter Rufus Wainwright. 

More information and tickets at here.