Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

As the “Mozartwoche” Festival in January, 2022 had to be cancelled on account of the still raging pandemic, there will be a curated selection of works from previous festival editions available for live online streaming. Wilson’s Messiah will be shown on myfidelio.com on Feb. 4 at 8 PM Austrian time.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are acclaimed exponents of Handel and Mozart.

Their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are acclaimed exponents of Handel and Mozart.

Their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are acclaimed exponents of Handel and Mozart.

Their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are acclaimed exponents of Handel and Mozart.

Their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are acclaimed exponents of Handel and Mozart.

Their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are not only acclaimed exponents of Handel and Mozart; they also belong to the Mozart Week musical family.

To mark their return to the festival, their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are not only acclaimed exponents of Handel and Mozart; they also belong to the Mozart Week musical family.

To mark their return to the festival, their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts. Marc Minkowski and Les Musiciens du Louvre are not only acclaimed exponents of Handel and Mozart; they also belong to the Mozart Week musical family.

To mark their return to the festival, their brilliant performance is combined for the first time with the art of Robert Wilson: a fascinating fusion of periods and styles on several levels.

More information and tickets here.